
Originally Posted by
Shurrikhan
Mate, people are not obliged to read through your every further reply across the whole thread just to glean details that you, having forgotten to include them earlier, could have taken 10 seconds to edit into the OP.
Now, as for why people like "the dance":
It's because, especially in terms of positioning, the dance is the actual player-felt mechanic, rather than the individual mechanics themselves.
Consider, for instance, DRG positionals. Ostensibly, it has the highest portion of positions of any melee, with 5 positionals for every 10 GCDs. In practice, though, unless the boss is very frequently turning, its repositioning requirements are perfectly average, at just 2 times it actually needs to move per 25 seconds, as compared to SAM's twice per 18s. Similarly, Ninja only needs to use its Flank attack once per roughly 15 GCDs, but if the boss is moving a ton, just chaining in an Aeolian every 3rd GCD between those Armor Crushes may still require a lot of repositioning. It's not where you to be so much has the movement required to get there.
Mechanics work similarly. If mechanic A requires you to be at position A and mechanic B requires you to be at position B, the player experience is effectively just in moving in timely fashion from A to B, complete with banking mobility tools to be ready for over that period, knowing when you can first move and by when you must arrive, etc., etc.
Rather than feeling mechanic A or B in itself, we tend to feel the transition, wherein A->B is effectively just Dance Step [1]. And most good fights have what feel like interesting, well-paced (not too lenient, but too tight) transitions. Make them entirely random without any modicum of bridging conditionality and you lose that, leaving you with just the quality of transitions seen on fights typically not considered at well-designed.
You can do randomization, and a degree of it --if well-situated-- can often help make fights more interesting, but you can't pull it off by JUST throwing randomization into the mix without regard for how those mechanics would sync up.