I don't believe there is sufficient evidence to suggest that specific colours are associated with funerals. As for the Order of Nald'Thal, as mentioned already, the thaumaturges are supposed to be ones in charge of Ul'dah's funeral matters, but their role as "undertakers" and funeral specialists has been very much downplayed since 2.0.
I vaguely recall some mention, though, of why thaumaturges specialise in fire, ice and lightning magic: Ice to preserve a body; lightning to cleanse it of impurities; fire to cremate it. Of course, I could well be mis-remembering this, as it seems abundantly clear that the dead are usually buried, rather than cremated.
To be sure, I've always disliked the inconsistent way the story handles the "decomposition" of the dead. Some bodies literally go *poof* into a burst of light and aether; others dissolve instantly in a puff of purplish, evil-looking miasma; and sometimes, just sometimes, actual bodies get left behind. There never seems to be any logic as to why some bodies go *poof*, and some get left behind. I chalk it up to gameplay-story segregation.
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Anyway, to go back to the original topic of the thread, I think it hardly needs to be pointed out that red is the colour of Stormblood. And the symbolism shouldn't be hard to figure out either — it's broadly the same as in the real-world.
Red is the colour of blood, and the colour of war and revolution. "In crimson it began, and in crimson it ended. And then... and then we were free."
Red is the colour of fraternity, hence its association with the Resistance, especially with Lyse, the Lady in Red.
Red or, more accurately, a shade of red closer to salmon pink, is the colour of Ala Mhigo, the physical country, a land of "crimson mountains, a sea of clouds, and a mighty fortress".
What's interesting is the juxtaposition of Stormblood's red with the blue theme that's less obviously associated with Heavensward, as in the prophecy: "Look ye where the sun doth rise, see crimson embers, dark'ning skies/ Look ye where the sun doth fall, see azure lost amidst the squall".
Blue was, in my opinion, the predominant colour of Heavensward, although its use wasn't as in-your-face as red was in Stormblood. Blue is the colour of the sky, the predominant image of 3.x as the expansion most associated with flight and flying.
Then there's also the revelation that the WoL's aether signature is blue.
And lastly, blue is sometimes the colour of melancholy — "feeling blue" — and that's quite clearly the tone that the writers were striving for with the Dragonsong War, in contrast with Stormblood, which as all about active, robust attempts to fight an openly known evil.


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