Thank you all for your input! I will address some of your comments in this post:
After rereading the ending that I gave to the Loporrits...I will agree with you in that I do hope that some chose to stay awake and not rejoin their new adopted mother, Meteion, so soon. When I was thinking of what to do with them, as obscure a reference as this might be, I was looking back to Buju from Dawn of Mana. In the ending of that game, Buju longingly looks at his owner, Ritzia, as she sinks into the depths of the Mana Tree before transforming into the Goddess of Mana. I think to myself, given the choice, wouldn’t a creature like this want to be reunited with his owner? Wouldn’t therefore the Loporrits, essentially children, want to be reunited with the figure that they have accepted as their mother?
Other inspiration for the way in which I wrote them includes the story of Hachiko – though the Loporrits in my rewrite were subjected to a far crueller fate. Hachiko’s owner did not abandon him deliberately, but the Hydaelyn of my rewrite did despite these creatures perpetually longing for her return. They would immediately believe Meteion to be the goddess having finally come back for them, and Meteion would be both enamoured by such cute creatures yet internally torn at the thought of deceiving them. Eventually, they would come to realize that Meteion had lied to them but because of how much love she showed them, they come to look at her as everything they wished Hydaelyn was.
When it comes to Svetlana, there was a lot of extra exposition that I refrained from including for the sake of brevity. In summary, she is the youngest daughter of one of Solus’s sons (though not the original crown prince, which was Varis’s father.) Her rank of “Grand Duchess” would be given to the daughters of a prince, but not those of the crown prince, otherwise she would be a princess. When it comes to her name, I admit that my preference for the Russian over the Roman aesthetic influenced my decision to name her Svetlana, along with my general interest in the history of figures like the Tsar’s family, and the families of those who went on to rule Russia afterwards.
She is in her early twenties, and by this point has received an extensive education and military training. During her early years, she watched as the Imperial Senate acted together in order to inflict great torment on already struggling provinces and how they “silenced” dissenting nobles, including her older siblings. In order to protect herself from such a perilous situation, she devised a plan to become so beloved amongst the Garlean people and the provinces that it would be unthinkable to harm her – anyone who did so would be branded a destroyer of the icon of beauty and mercy/charity. Similar to Garlemald’s cult of Emperor worship, people would also flock to her side for these reasons. Though admittedly feigning it at first, she came to grow closer to the people in the subjugated provinces and developed an interest in their wellbeing.
Svetlana would have acted as a war nurse and treated Al-Sid’s wounds despite his position as a rebel combatant – and internally she would wonder to herself whether she did such a thing out of kindness or calculating and manipulating potential enemies in order to turn them into allies. From there their relationship would develop romantically, and so on. Al-Sid’s hot blooded and impassioned temperament would contrast with Svetlana’s more shrewd and cooler demeanour, though they ultimately want what is best for the people under their care. Her pregnancy was an accident she did not account for, despite the measures she took to prevent one, but it ultimately worked out in her favor and in favor of a lasting peace between Rozarria and Garlemald.
In addition to Celes from FFVI, I suppose other figures that I drew inspiration from whether deliberately or subconsciously include: Duchess Georgiana of Devonshire (an ancestor of Princess Diana), Kaiserin Elizabeth/”Sisi”, Hildegard Mariendorf (Legend of the Galactic Heroes), and Svetlana Alliluyeva – whose life story I learned of in a documentary I watched earlier this year and felt great sorrow for all she endured. In retrospect, I feel remorse for having put a character of the same name through such an ordeal in my writing and wish that I could have done a better job. If nothing else, I would like to think that at the end of my rewrite that the new Empress Svetlana went on to rule for many years with Thancred to keep her company as her bodyguard, and were able to find lasting happiness together.
I picked Rozarria because I thought Al-Cid was cool whenever he came on screen in FFXII. Contrasting inner Garlemald with the Mediterranean seemed like a good idea, and I like the name because it definitely rolls off the tongue better than...Landis. I wanted to see Spain/Italy in the game so I put it in, simple as that. Liberating yet another republic or turning another former monarchy into one seemed like a boring idea, and Al-Cid certainly wouldn’t be the type to just let the scions roll in and do whatever they want with his country.
I struggle to think of any relevant characters to draw from Landis besides Noah van Gabranth, which would have admittedly made for a very interesting dynamic should I have brought him back to rule as a military dictator over the region with the scions forced to accept his form of government or else be branded his enemies. However, I wouldn’t have been able to effectively tie a character like that up with Svetlana in the way that I did with Al-Cid because the whole, “Do I love this person or am I secretly manipulating them?” dilemma wouldn’t have played a factor in the storytelling. The Noah of FFXIV is too intelligent and would have seen through Svetlana’s machinations.
From his perspective, the Grand Duchess and her popularity would have been a serious problem...he may have pressed the issue of a marriage alliance with her but then subjected her to the same treatment as the Duchess Georgiana did in the movie, overpowering and manipulating her in turn to break her and bend her to his will. I’m not sure if I want this man to have the ending of becoming the emperor of Garlemald...The writing surrounding him would make him an unpopular if not downright hated character, ironically playing right into Svetlana’s hands in that no one who harms or moves against her will come away clean.
Your post brings up a lot of interesting points, and I’d like to start with the Lavos/Jenova aspect. Admittedly this didn’t come across as well as I would have liked to in my post, but in riding Midgardsormr to beyond the stars and escape the WoL’s final blow...Hydaelyn would have gone on to another planet to re-establish herself as a “supreme goddess” and inflict widespread chaos again all for the sake her vanity. Effectively, she would have been Jenova. I will however concede that there is greater value in having the source of her personality change be an external force that could linger on after her defeat – paving the way for future storytelling. Perhaps in Venat’s case, it turned her into the fallen angel of FFXIV’s world, while if it affected a different person they would become a gluttonous space parasite that consumes whole worlds, etc.
In regards to the remaining Ascians, I must confess that I had completely forgotten them as I was writing and regret not having included them in the rewrite. There are a number of different ways to have gone about that, from having them be part of the Telophoroi to having them act as Zodiark’s last line of defense on the moon, before being cut down by Zenos...and forcefully possessing some of the remaining party members in order to assist in the fight against their former god. Another option would be for them to be absent from the story, in hiding, until they witness the last phase of the WoL’s battle against Hydaelyn on the moon. They would then ferry the WoL’s body back to Meteion, and impart onto her the last of their essences in order to give her dominion over darkness as well.