I mean, the attempted framing does fit into the pattern we see of trying to squash the Ancients as some generalized entity into those boxes of "cold" and "scary" to make us understand the judgment that they, as a race and civilization, Had To Go - even though that completely falls apart in two seconds if you actually examine them and what they express - which is a wide, diverse, fascinating range of personalities and perspectives within the context they exist in, and a culture that does actually seem to put a premium on responsibility, kindness, and basic decency. (That's not to say, of course, that there wasn't room for improvement. There always is and there always will be.) I guess it's kind of understandable, if unfortunate, because the overt text of Endwalker does do exactly this, so it can be hard to question the precedent set by The Very Text Itself.
But yes, Hermes feeling so much empathy towards the creations to the point of having a breakdown and shouting in Emet-Selch's face (which he simply took, in silence) seems to actually be exactly what convinces Emet-Selch that he would make an excellent Fandaniel, and that they need his perspective in leadership.
How do you reconcile things like this, along with things like Elidibus, even in an official capacity, quickly siding with Erichtonios on taking a humane approach to the dilemma of Pandaemonium - and even Lahabrea willing to listen and be reasonable about it - with Endwalker's proclamations about their society? In my opinion, you don't, which is why you see rhetorical tricks being pulled out like suddenly reverting to "the Convocation" as a nebulous entity when making claims about them being morally bankrupt rather than any of the actual people that comprise it that we know, which aligns with gestures like the generic, faceless strawmen in Venat's montage. Endwalker!
Hey, there's still Savage in the wings! Don't give up hope! Hephaistos's Savage-exclusive form was absolutely wild, after all.
To actually contribute to this discussion of Athena's writing, though (rather than just declaring again that she's my wife - though, for the record, she is my wife) - the JP version of Erich's counter-argument to his mother actually seems to be even more specific about how unacceptable destroying/trampling upon "the life that exists now" in favor of "a new form of life" is, though someone more proficient in Japanese will have to clarify if they feel like it.
If I still had any faith in the creative team, it'd make me think that in the way Zodiark and Hydaelyn is framed as a battle between "the past" and "the future", then there's an obvious voice that's missing in the midst of that - the voice arguing on behalf of "the present."
EDIT: I can't figure out how to post images, apparently. Life is true suffering. At least I'll be more equipped against turning into a blasphemy...
EDIT II: I guess I can just link the JP line instead. Suffering partially averted, path to blasphemy back on the table.
EDIT III: btw athena is my w--