The underpinnings of duhkha wonderfully articulates the theme that Endwalker- and indeed XIV starting from Answers onward- expresses and the tie into Seymour and X is something I also appreciated. Thank you for the link.
The offhand mention of the Silmarillion in another thread send my brain spinning on Tolkien's Catholic sensibilities with the influence from pre-Christian Anglo-Saxon and Finnish literature and his setup for the Gift of Men (aka death) that the souls of Men, the Third Song, leave behind the confines of Arda, aka the material world, to return carrying with them the experiences to the Timeless Halls and their Creator (or the unknown oblivion, which as an atheist I appreciated). And that it is the 'immortal' elves who are trapped with the planet, being reborn into it even if they die -with or without memories immediately restored- and by the Second and Third Age have as their central vice that of being preservers- of trying to keep their world in amber to preserve the 'paradise' and reject the mortality of the world beyond Valinor. And the villains' fatal flaws of wanting to order the world to their desires with an emphasis on order. But most of, and the area where I found the two fantasy universes to align instead of just share interesting but diverging focus was in that despair was positioned as the greatest foe to overcome (i.e. Denethor and Theoden).
